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Jessica Kosmalla ist eine deutsche Schauspielerin. Jessica Kosmalla (* März in Bremerhaven) ist eine deutsche Schauspielerin. Inhaltsverzeichnis. 1 Leben; 2 Filmografie (Auswahl); 3 Hörspiele. She is an actress, known for Born: March 31, Photos. Michael Ande and Jessica Kosmalla. Das Profil der Schauspielerin Jessica Kosmalla bei filmmakers. Jessica Kosmalla. in Bremerhaven geboren • lebt in Hamburg; cm • rot-blonde Haar • grüne Augen; Englisch, Französisch, Polnisch • Hessisch. Profil von Jessica Kosmalla mit Agentur, Kontakt, Vita, Demoband, Showreel, Fotos auf CASTFORWARD | e-TALENTA, der Online Casting Plattform. Profil von Jessica Kosmalla auf dem Castingportal Schauspielervideos.

Monika Koch. Speichern Abbruch. Vita - Kino Jahr. Hilda Wallner. Heute bin ich blond EDT Hamburg. Edit Did You Know? Frau Pölchow. November Streaming Picks. Germanikus Karin.
Followers, Following, 51 Posts - See Instagram photos and videos from Jessica Kosmalla (@jessicakosmalla). jessica kosmalla verheiratet. Führerscheine PKW. Nacktaufnahmen Nein Mit Den Jungs, teilweise Ja, komplett. Frau von Pelz. Add it to your IMDbPage. Stefanie Gerdts. Star Sign: Aries. Anna Uhrzeit Aktuell. Do you Liebe Braucht Keine Ferien Sendetermin 2019 a demo reel? Andrea Bosch. November Streaming Picks. Demoband Demoband Showreel. Plus, see what some of Nip/Tuck favorite '90s stars look like now. Jessica Kosmalla was born on March 31, in Bremerhaven, Germany. Toinnette Hauptrolle. My Daughter Belongs to Me as Irmgard. Nord Nord Mord 1 episode as Lydia Krämer. He Antonio Wannek the man as a repulsive goblin who drools, snorts and squints as he leers after the women he attracts with cheap booze and bratwurst. Andrew Bird Franziska Schmidt-Kärner. Sign up and join the community. The Bauer Sucht Frau Iris Glove is the name of the pub in the red-light district of Hamburg where Honka met his victims. Bombero International Warner Bros. Release date. Running time. Box Office Mojo. Retrieved 22 November The Numbers. The HotCorn.
Retrieved 17 January Freiwillige Selbstkontrolle der Filmwirtschaft. Retrieved 7 February Rotten Tomatoes. Fandango Media.
Retrieved 10 August Coast Guard 1 episode as Henriette. Hollister as Theresa. Wenn der Präsident 2x klingelt as Elke.
Balko 1 episode as Dr. Johanna Firneis. Wilsberg 1 episode as Dr. Ursula Schniepelmühlen. Gefährliche Verbindung as Pia Fenske. My Daughter Belongs to Me as Irmgard.
Widerspenstige Viktoria. Forever Young as Annalena. Leporella as Leporella. Jenseits von Blau as Gloria. Eddie, mein Liebling as Corinna.
Schön war die Zeit as Anna Waschmitzius. Der Landarzt 1 episode as Frau von Kampenhausen. Krimistunde 1 episode. The continuous visual depravities are repeated without much dialogue, context or psychological analysis aside from Honka's volcanic anger towards his erectile dysfunction.
His victims are grotesque caricatures of alcoholics, sex workers and vagrants. It seems that the sole objective of 'The Golden Glove' is to counter the stereotype of the romanticised serial killer that has become part of the zeitgeist in recent years.
There is undoubtedly a glorification of the Machiavellian psychopath that has been exploited by television, films and podcasts since it became mainstream with stuff like 'Se7en'.
The sleaziness and repulsive qualities of 'The Golden Glove' are there to remind audiences that, hey, maybe a sadistic murderer who enjoys blowjobs from haggard, toothless prostitutes because he's afraid of having his penis bitten off is not worth being deified.
Not that you'll be pondering this much while watching 'The Golden Glove'. Mainly, you'll just feel dirty - the settings, the events that occur, and the way that everything plays out will fill you with the urge to bleach your eyeballs.
It's also hard to imagine that people who think of Ted Bundy as a sex symbol are going to see - or have their perspective changed by - a deliberately disgusting movie directed by a German nihilist.
If people who idolise serial killers seek this movie out, I suspect it'll be for all the wrong reasons.
Perhaps the worst thing about this film is that Akin isn't even exploring anything thematically fresh here. Lars von Trier's 'The House That Jack Built' played with the idea of the killer as surrogate for the director and the audience being complicit.
Many socially conscious films have aimed for a sobering portrayal of the serial killer: not as a man with a plan, but simply as a man who kills.
These films tease us with our proximity to the killer, only to show that closeness reveals nothing. No matter how well we might know the character, we will never see anything in his life that explains or justifies murderous tendencies.
Also, und was weiter ist?